Is this the best way to remember jazz changes? Conrad Cork’s aural approach makes a good case for it, and there...

Flutists in alphabetical order: Arampi, Martina (Italy) Arnheim, Yossi (Israel) Asbjørnsen, Lars (Norway-Germany) Ayscue, Ronna (USA) D’Arcangelo, Rita (Italy-Germany) D’Hollander, Berten (Belgium) Dimitrova, Elena (Moldova-Ukraine) F, Anzhalika (Belarus) Gaudino, Marco (Italy) Gershman-Pepper, Nikka (USA) Gnativ, Dmytro (Ukraine-USA) Kaczka, Krzysztof Maciej (Poland-Kuwait) Lancellotti Auld, Carla (USA) Lee, Coreisa Janelle (USA) Li,...

Method books are important to anyone working to master an instrument, whether they are beginners or professionals. There are many...

Some months ago, in our feature on the growing body of music dedicated to an awareness of our environment, we included Red...

Of interest to many flutists working in charanga is the kind of flute that is commonly associated with the genre. For those...

International Flute Journal readers will remember the review we published  of Ed Joffe’s excellent book on woodwind doubling as well his equally excellent recording Contrasts....

As he showed me into his modest home in a quiet Seattle suburb, Alan Hovhaness felt the need to apologize for two...

For some time, at International Flute Journal, as part of our goal to “Deepen Knowledge and Expand Horizons,” we have been...

Literature declaring the piccolo’s grand entrance into the symphony is widespread.  Sharing debutante status with the trombones and contrabassoon in the...

In recent years, a peculiar term has emerged from the depths of online communities and seeped into daily conversations: Hitlmila....